WORKS

Caroline Kampfraath - sculptor

Fly to Me, My Enemy

In her new work Fly to Me, my Enemy, Caroline Kampfraath researches the impact of major historical events on next generations, if the persons who have experienced that history aren’t there anymore.

240 x 240 x 420 cm – aluminum, glass, photosheet, metal

Caroline Kampfraath - sculptor

Geisha

Where lies the line between pleasure, lust and abuse? Why do religions only demand chastity from women?

45 x 45 x 65cm – marble, wood

Caroline Kampfraath - sculptor

A Day in the Woods

Children from around the world have trouble integrating now the inclusive society has come under pressure. Where are the scents, the countryside and the forests in which they grew up?

215 x 150 x 35 cm – plaster, metal, wax

The Trees Will Weep Upon Us, We'll Be Fossiles by Then - sculptor Caroline Kampfraath

The Trees Weep upon Us, We’ll be Fossils by Then

The Trees Weep upon Us, We’ll be Fossils by Then is a baroque installation in the form of a Venetian chandelier, specifically created for the Venice Biennale 2017. The work refers to our complex relationship with nature. Eventually the system will turn against us and we will succumb to it.

200 x 200 x 430 cm – natural resin, artificial resin, glass, metal

Caroline Kampfraath - Sculptor

Under my Skin

Under my Skin was exhibited in the Bonn Frauen Museum. The dresses’ tattoos refer to societal phenomena that facilitate or threaten female friendship.

400 x 700 x 300 cm – parchment, ink, sand

Caroline Kampfraath - Sculptor

The Tentacles of the River

Requested by the commissioning companym situated at the river IJ in Amsterdam, The Tentacles of the River addresses the environmental changes that affect the river.

120 x 120 x 280 cm – Artificial resin, tree resin, metal, rotating mechanism

Caroline Kampfraath - Sculptor

Dead Dogs Envelope

In Dead Dogs Envelope, Caroline Kampfraath pictures how digital communication suffocates the exchange of our true emotions.

230 x 250 x 35 cm – plaster, stainless steel

Caroline Kampfraath - sculptor

Soldiers and Lovers

Time knows no winners or losers, nor eternal love. The soldiers and loved ones who marked their presence in tree bark stay with us longer than those who did not.

25 x 25 x 55 cm – artificial resin

Inescapable - Caroline Kampfraath

Inescapable

In Inescapable the artist tries to reach her talents. She has to chase them like a fox, they are close, but hide carefully.

600 x 400 x 120 cm – plaster, flax

Caroline Kampraath - sculptor

Birds

In Inescapable the artist tries to reach her talents. She has to chase them like a fox, they are close, but hide carefully.

600 x 400 x 120 cm – plaster, flax

Hysteria

Hysteria refers to the way female orgasm was viewed in the past. As the ultimate devotion to the divine, or a medical ailment that had to be treated. In each case, the female orgasm had to be remedied, denied or avoided.

180 x 60 x 95 cm – bench, artificial resin, clay

It’s All Hearsay, said the Tree

The way people view nature varies by the period and is subject to what is fashionable.

25 x 25 x 55 cm – artificial resin